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Charley’s War: The Somme

Charlie's War

Charley’s War

It’s the eve of Remembrance Sunday and it’s a day when most nations stop for a moment, pause and reflect on the horrors of war and remember the dead.  There were many comic strips with narratives fashioned around the two World Wars, most of them portraying gung-ho heroes, the context always patriotic and the enemies invariably the ‘ultimate evil’ which must be fought.

What is Charley’s War and Why is it Important?

Charley's War coverPat Mills has a way of challenging elements of historical and societal thinking in a way that very few comic book creators can.  Charley’s War isn’t a war story, it’s an anti-war story and that’s important to note.  It ran in IPC Weekly comic magazine Battle Picture Weekly from 1979 until 1985.  It’s a frighteningly well-researched piece of literature, illustrated throughout its entirety by the magnificent Joe Colquhoun.  Pat bowed out of the series as it stretched to the Second World War, and the entire focus of this article is on the collected edition of the strips entitled Charley’s War: A Boy Soldier in the Great War.

This collection tells the initial stories following a young lad Charley Bourne who, like many teenagers of the time, lies about his age in order to be allowed to enlist and fight for “King and Country”. Charley is thrown into the Somme and his idealistic sentiments regarding warfare and patriotism are challenged and demolished by the true, real, hard and bloody realities presented during a conflict.  Through Charley’s eyes, we are given an authentic portrayal of life in the trenches, of betrayal, of madness, of tender moments and heartbreaking moments of sheer horror.

It’s not just Charley’s changing attitude we see during the strip, letters from Charley’s family appear during the early sections of the narrative showing that they don’t know how horrific life in the trenches was. In one series of panels, the reader is juxtaposed between a fairly mundane letter from Charley’s aunt complaining about the effects of the war were causing back home with an intense battle, brutal, something Charley and his mates faced at common intervals during this campaign.

Fresh Historically Accurate Portrayal

This is unlike most War comics of the time because of the level of research involved in this series. You LEARN about the war through this story, you LEARN about the sheer absolute bloody hell about the war through Joe Colquhoun’s intense black and white detail. You see the poor bastards slough through the mud and through the shrapnel, you can feel it as you read the comic…

Charley's War

As stated before the narrative is certainly not a pro-war comic, it’s critical of World War 1, this is the important difference between this and other comic war stories and must be highlighted. It’s critical of the tactics used by both sides, not just poor decisions, but the inhumane tactics used, such as poison gas, officers casually shot foot soldiers for sleeping on the front line after exhausting hours watching for the enemy and malnutrition through poor food.

Also unlike many War Stories of the day, we see corrupt British officers, one complete bastard knocks Charley out and uses his body as a human shield while moving from trench to trench. There’s also a shock factor in the story, as established characters, Charley’s mates are killed, often in sudden moments with no warning to the reader. We see madness brought on by war, guilt and dark anger.

This is a totally unique perspective and is something which, is, unfortunately, suppressed today.   We are continually told – Dulce et Decorum est Pro Patria Mori – it is sweet and right to die for your country.  But reading through this, I say it is sweeter and nobler to live for your country and for the statesmen and woman of your country to work harder to avoid conflicts which destroy the lives of their fellow human beings.

Artwork

Charley's WarThe artist Joe Colquhoun must have had an incredible passion for historical accuracy, the weaponry, the depictions of the trenches, the horrific brilliance of the violence.  It’s captivating and authentic – that’s a term that I utilize over and over again for this work – authentic.  There’s a haunting quality – when looking at the expressions on the soldiers faces as they face sheer bloody horror, time and time again, losing friends, moving to a place beyond fear and approaching madness, it’s all there, it’s etched on their faces in amazing clarity.  As Charley progresses through this narrative, there are heartbreaking scenes where the artist depicts his eyes in such a way that the fear and loss are palpable to the reader.

Writing

I’m going to use the work Authentic again – deeply, deeply authentic.  This is a story that Pat brings to life with the accuracy of the details woven through this writing skill.  Pat has had so numerous stand-out moments in his career and continues to do so – but this story is perhaps on another level to anything else he has written since.  Having read this, I’m looking forward to the day where Pat pens a history book, there’s such a wealth of knowledge which infuses through these characters and empathy.  I truly cared about Sergeant Bill, about Charley – I felt like I was sharing that trench with him, I hated Snell the corrupt officer who abuses his position and values no-one else but himself.  Hate is a strong word for me, but I truly detested that man.  The writing made it all so very personal to me and real.  It challenges the class system and any authority that would ask a fellow human being to die on the battlefield.  It’s incredibly powerful.

Charley's WarConclusion

It’s important to read this as we head towards another commemoration of the Somme. We need work like this to wake up, to stop portraying War in some sort of positive, heroic light and understand that it is evil, that there is a better way in order to resolve a conflict.

Charley's War

It’s something that should be encouraged to be placed in the War History sections of libraries and used as a way of educating children at schools.  It’s been described as an anti-establishment view of the conflict – but I hesitate to say that, I would rather emphasize the truth of the message of the narrative.

This Collection is available on Amazon

  • Hardcover: 320 pages
  • Publisher: Titan Books; Reprint edition (8 Aug. 2014)
  • Writer: Pat Mills
  • Illustrator: Joe Colquhoun

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About the author

Dr .Chris McAuley

Chris McAuley is a relatively new Nerd, having began his writing career reviewing old copies of 2000AD, he quickly progressed to interviewing major alumni of the comic book industry including Pat Mills, Grant Morrison, Glenn Fabry. Writing acclaimed reviews and features on Comic books and video games, he is also a Test Reader for Millsverse.

His background is in theology and it is in this arena which he gained his PHD, believing that story is crucial to human beings and that most modern cultural narrative experiences are driven from the ancient and the mythological.

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