Review – Deadpool #4 (Marvel Comics)

  • Writing - 8/10
  • Art - 9/10
  • Overall - 8.5/10
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Deadpool #4

Writer: Kelly Thompson
Pencilers: Chris Bachalo, Irene Strychalski
Inkers: Wayne Faucher, Al Vey, Livesay, Jaime Mendoza, Tim Townsend, Derek Fridolfs
Colorists: David Curiel, Rachel Rosenberg
Letterer: VC’s Joe Sabino
Publisher: Marvel Comics
Maturity Rating: Parental Advisory
Release Date: March 18, 2020

Deadpool #4 was a dynamic addition to Wade’s reign as the Monster King, though it has brought about several surprises and battles.


Monster vs Monster Hunter in Deadpool #4

Wade’s reign as the King of Monsters continues in Deadpool #4, but one has to wonder how long it will last. Especially when he’s actively being hunted. After all, killing an unkillable king would be quite the feather in one’s cap, yes?

For those that haven’t been following Deadpool’s latest series, here’s a quick update. Monsters have taken over Staten Island, and thanks to a strange series of events…Deadpool has become their king. That, in itself, is enough drama, but naturally, there’s more to it than that.

Deadpool #4 (Marvel Comics) main cover by Chris Bachalo
Deadpool #4 (Marvel Comics) main cover by Chris Bachalo

Thus far, the sort of chaos that only Deadpool can create has fueled the entire series. All while showing us a different side of the monster community so frequently overlooked. It’s also provided a new perspective on Wade himself.


Deadpool #4 was a dramatic and entertaining read from start to finish. Kelly Thompson has proven again and again that she knows how to balance the chaos that reigns around Deadpool. More than that, she’s turned it into something both intense and powerful, at times.

This issue includes a dramatic fight that readers have been eagerly looking forward to—we knew that was coming. What is surprising is the amount of impact it carried with it. This is a version of Deadpool we don’t get to see every day.

It’s actually quite refreshing, to be able to see Deadpool go from his quirky ways to somebody weighed down by the constant loss in his life. It’s a reminder that under all of that bravado and banter, there’s a real person.

There’s also a short story at the end of this issue which is an absolute joy. For one thing, it helps to balance out the tension and sense of loss created by the events that just occurred. For another, it revolves around Jeff the Land Shark (and his previous owner, Gwenpool). It’s adorable and funny, and perfect for fans of either character.


The artistic team working on Deadpool #4 is absolutely massive—a fact that shows. The scenes portrayed in this issue are dramatic and entertaining, all with dynamic lighting and tons of little details. Though I might be slightly biased, since I personally love the art style they’ve opted to go with.

Deadpool #4’s artwork was essentially split into two projects. There’s the main plot, and then there’s “Jeff & Wade” (the moment I gushed about above). Working on the first part you’ll find Chris Bachalo (pencils), Wayne Faucher (inks), Al Vey (inks), Livesay (inks), Jaime Mendoza (inks), Tim Townsend (inks), Derek Fridolfs (inks), and David Curiel (color).

Meanwhile, for “Jeff & Wade”, you’ll find Irene Strychalski (artist), and Rachelle Rosenberg (colorist). Working throughout the entire issue is the letterer, VC’s Joe Sabino. Their work really unified it all.


Deadpool #4 was every bit as chaotic and entertaining as I was hoping. But more than that, it added weight and import to everything that Deadpool and the monsters have gone through up to this point. It gives us hope for what can potentially follow, and I’m very much looking forward to seeing that.

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About the author

Cat Wyatt

Cat Wyatt is an avid comic book reader, as well as a reader of novels. Her favorite genres are science fiction and fantasy, though she's usually willing to try other genres as well. Cat collects Funko Pop figures, Harry Potter books (different editions), and has more bookshelves than she's willing to admit.

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