That Time On...

That Time On Star Trek #13

Full power to Impulse Engines and plot a course for That Time On Star Trek #13 by Brent Kincade!  Lovingly riffing on the adventures of the U.S.S. Enterprise, #ThatTimeOnStarTrek boldly goes where no meme has gone before.

Lucky week 13 orbits a moment from For The World Is Hollow And I Have Touched The Sky (1968), possibly the coolest episode title of the whole series.

"For The World Is Hollow And I Have Touched The Sky"

FUN TREK FACT:  In the episode For The World Is Hollow And I Have Touched The Sky, the set designers chose to create a forced-perspective on the standing “Planet Set” by building the entrances to the underground civilization in two different sizes.  The entrances in the distance were built much smaller, leading the eye to believe the illusion that they were further away.

To see the earlier installments of #ThatTimeOnStarTrek (along with #ThatTimeOnDrWho and #ThatTimeOnBatman) head on over to our MEME-GALLERY!

 

About the author

Brent Kincade

Brent Kincade was born under the sign of Pertwee and has often wondered if there was an alternate universe where Aquaman was instead called Waterhombre. He also spends a fair amount of his waking life patiently waiting for friends to mention a Thunderdome so he can roll his eyes and plead, "Can't we just get BEYOND Thunderdome??" (Six times, thus far.)

His first comic book was Spidey Super Stories #4 in 1974, his first Star Trek episode was "City On The Edge of Forever" in 1975, his first Doctor Who was "The Visitation" in 1984.

Once when he was young, he stashed his vinyl Halloween Spider-Man costume in the neighbor lady's shrubs and was later caught red-handed, crawling into the shrubs to change into costume because he had, "Heard a cry for help".

He's a father, an artist, a graphic designer, a cartoonist, and usually pretty handy in a pinch. Brent is the creator of #ThatTimeOnDrWho, #ThatTimeOnStarTrek, #ThatTimeOnStarWars and co-creator of "The Magic Cantina". Brent requests the story of his days be co-written by Harlan Ellison, Steven Moffat and Neil Gaiman, drawn by John Romita, scored by Ben Folds and riffed on by the fine folks at Mystery Science Theater 3000.

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